"With Armchair China-Windsor, one of the dreams that led me to start Norrgavel is realized: 'Longing for a rounded chair with materials and lightness reminiscent of Danish chairs from when I was little, but more comfortable... sand, sun, light, air, soft skin, seashells...' I love it when the vision exists in the body before it takes physical form; the feeling in the seat, against the thigh, the lower back, the back, the forearm, the feeling of getting up, lifting. The working title was 'nature-air chair,' and the challenge - to find the shape for the feeling.
My sketchbooks from 2008 onwards show attempts in various directions, and parallel full-scale trials were carried out in the prototype workshop, but without us really getting it right. After New Year 2010, I watched the film adaptation of 'Sense and Sensibility' with a sequence that stuck with me; Windsor chairs with bow-backs forming an organic network around a table. The following year, the image returned in a finished design sketch, a nature-air chair with Chinese S-curved rear legs, a woven seat, and a Windsor-type back. But even though we were satisfied with the form itself, the process to the finished product is long and requires total focus. It wasn't until the end of 2017 that space was given for a fresh approach, when we systematically tackled the series of challenges - a phase where craftsmanship is truly put to the test:
· The seating angle was experimented with, and the rear legs were given their inclination and Chinese curvature.
· Inspiration for the chair back was drawn from the New York-style Windsor chair. The top rail received its inclination, beveling, and twist with an updated finish similar to the front legs - similar top rails can also be found on old Chinese chairs.
· The back spindles received their lumbar-supporting turning.
· To achieve greater comfort on the seat than with a typical woven seat, we worked with a master weaver to develop a more anatomical contour.
· The chair's slender silhouette is important, so to maintain strength, the side rails were subtly thickened into the weaving.
· The back rail achieved its stability with slits for the cords in front and recesses between each spindle.
· Finally, the leg supports were discreetly placed, ensuring optimal stability.
The Armchair China-Windsor has received its name from its sources of inspiration. The Chinese S-shaped rear legs give character, but the comfortable seating has its primary explanation in the seating angle, the anatomically contoured seat, and the Windsor-style back."
Nirvan Richter
Designer & founder of Norrgavel